Studio Update

Billy Ward, Steve Peters, Nick Sibley

Tedi May and Billy Ward

Hello to all and long time no blog – It’s Monday night and I’m just in from the studio with a report on the status of the album. It’s all over but the mixing, mastering, licensing and pressing. We hope to have it out by the time we go on tour (May 30) but it’ll be tricky. There’s still lots of paperwork involved with the licensing process, and some of the arrangements got so complicated (aka wonderful) that Steve will probably have to take them home with him to Seattle and finish the mix. That’s ok because they’ll be mastered there as well. Meantime, there’s cover art (by Art Rosenbaum, we hope) and liner notes and a touring show to write. Nothing really excruciating, but very very busy time. Speaking of which, got to press on. More to come.

photo credit; S. Denton

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Breakfast Fans

This morning at the Walnut Street Inn, a fan, Julie Brunner, allowed us to get this photo taken by her friend, and post it here. Hope you had a great day Julie!

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In The Studio

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photo credit; S. Denton

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World Cafe (via Blackberry Winter Band)

Hope to see you there!

It's confirmed. Check out the info at World Cafe. … Read More

via Blackberry Winter Band

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Hard Times and More Coming

I haven’t said much of anything about it, for fear of calling down a curse. But this curious and altogether splendid thing has happened. The reunion with long time friend and one-time songwriting partner Robin Frederick was a wonderful thing in itself. Although we had kept in intermittent touch for the duration of our friendship (some 43 years and counting) we hadn’t actually seen each other for the past 18 bleeping years. How we let that happen I don’t know.

But the wonderful part was that within five minutes or so of meeting, we were back talking, laughing and falling over each other’s sentences, as though the whole 18 years separation had never happened. Of course, there was a lot to catch up on, like what we’d been doing with our lives (growing, learning, coping), and had our world views shifted (not all that much – bodies weaker, resolve stronger, hearts still open, politics liberal).

But here’s the splendid part. After the clearing out and catching up, the first thing we  did was to begin writing songs. Now this may not have been so much a surprise to Robin as it was to me. She has spent a good deal of the past 18 years writing, recording, producing, teaching and writing books on music. Books on writing songs, specifically. I, on the other hand, have been doing journalism mostly, but singing, talking and doing radio shows in my off hours, mostly about the Ozarks.

Lord knows I am a storyteller. I would say prolific. My friends would say relentless. Robin says there is a poetry in this land and its language.

There in California, on a rainy morning and still on my first cup of coffee, I leaped into a story, and Robin started taking notes, then asking questions,wanting descriptions and feelings, and taking more notes.

We discussed the songwriting process, how we had once struggled with it, how I’d given up lyrics in favor of narrative, and how she had come to understand song structure, what works, and what doesn’t. Moreover, she said, the best way to put and keep a song on course is to start with the title, a concept I had never once considered, although I certainly have begun stories that way. One of my radio essay titles, she said, was a perfect example. “Hard times, and more coming.”

Well, to make a long story even longer, we began right there, that day, started several things and didn’t finish any while I was there. Since, though, three new songs, better than anything I’ve done in the past and constructed through a process that I still only dimly understand, have been birthed, and three more are perking along nicely.

I think you’re gonna like ’em. It’s another reason why I’m excited to begin this new album. At least three of the new songs will be on it. Maybe more. Don’t touch that dial.

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Grateful Beyond Words

Well, it was only a mention, but who’d a’ thunk I’d be mentioned in a glorious rag like Vanity Fair. I am so outside my territory mixing with those folks. Then the sun goes behind a cloud and I am just me again — a slightly dotty, gone-to-seed hillbilly with a voice that is somehow younger than all that, but with few pretentions  toward any real stardom. I am grateful beyond words that people still like to listen to me, and thankful that the little bulb that is my light is burning somewhat brighter just now. The truth is, I can’t help singing, so I’ll just keep at it and hope for the best, like the farmer who won the lottery. Someone asked what he planned to do with the money, and he replied, “Weil, I guess I’ll just keep farmin’  till the money runs out.”
Next week, and the week after, it’s the studio, and I’ll be singing my head off. Is it time to start taking orders for the next CD? I’ll be doing that soon.
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Vanity Fair, You didn’t expect to see that here did you?

Vanity Fair had a word to say about Marideth Sisco. At first I thought it was surely because of the amazing and beautiful jacket she wore to the Spirit Awards just before the Oscars this past February. But it was really in reference to her lovely voice. They missed an opportunity to showcase the great handmade jacket  by Janet Redford.

The March 2011 issue of Vanity Fair’s “The One and Only Hollywood Issue” published a succinct article with the lead line of “Of note, on-screen: … Additional standouts from movies this past year include … , Marideth Sisco’s Ozark mountain songs in Winter’s Bone …”

Page 150 for those wanting to read the article in its entirety.

posted via moonmooring

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